The Kang-Yung TSAI C/Niang Event, happening in 2009, refers to so-called gender equity education feminists' and gay men's criticisms against the openly gay celebrity Kang-Yung TSAI and to Tsai's striking back in his blog and in the TV talk shows 'Here Comes Kang-Xi' and 'Here Comes the Sissy' after Tsai and his co-presenter Little S used the term 'C/Niang' (sissy) to signify self-identified male heterosexual guests in 'Here Comes Kang-Xi'. This paper suggests a queered approach, characterized by contextuality, complexity and radicality, so as to look carefully at the term C/Niang's contested signification, queer performativity and resistant agency and, therefore, to point out the weakness of the feminist argument that the very term stands for nothing but humiliation. By dint of examining the C/Niang-negative discourses among the feminists and gay men and of exploring the 'campy' interactions among the presenters and the guests in 'Here Comes Kang-Xi' and 'Here Comes the Sissy', this paper argues that in many ways C/Niang's contested signification and queer performativity can be deployed by sissies in order to empower themselves so that they become able to disrupt gender/sexual norms and to fight against sissyphobia. In methodology, this paper employs qualitative textual analysis.
「C／娘」的爭戰指涉、怪胎展演與反抗能動性：檢視「蔡康永C／娘事件」中的「性別平等教育女性主義」論述=C/Niang
